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Grey Anne: Saturday Marketing (Eugene, OR)

greyanne3Day 4 part I, Eugene part II

We woke up in Eugene, and went straight to Eugene Saturday Market, which is massive. It’s a farmer’s market and an artisan fair all in one. So much stuff to look at. Russian batiked egg ornaments. Soft-sculpture dolls. And I’m that one who wants to figure out how every craft is done. I ask everybody questions. I came across a guy in an excellently-sculpted hard-shell hat. It was shaped like a snail, with curling spirals over each of his ears, and blunt antennae in the front. Its eyes were little mustard-colored stars.

“I love that,” I told the guy. And he liked my hat as well, a Russian military hat with red piping and a big red star, that looks elfin and weirdly flattering on me. People stopped me on the street a lot in Eugene, to talk about my hat. I’ll post pictures; you’ll see.

“You should build your shapes over top of bike helmets,” I told the snail man. He said, “Yeah. [pause] YEAH!!”

“You’d make bank,” I said. “I am a muse. Free brilliant ideas. You’re welcome.”

We thought the market might be a good spot to busk, and I had my acoustic ¾ scale along, so after a little breakfast we went in search of a space to set up.

Let me make a confession: I used to work a day job in guerilla marketing. I drove a preposterous novelty can-car, and I infiltrated events with a combination of guile and charm. That was pretty much my job—overcoming objections. Having people tacitly reject me, and melting that rejection with the sunny force of youthful optimism. It’s a skill; it can be learned. That said, I’m used to The Kickout, too. I have spider senses for The Kickout, and I’m pretty good at staying out of its way. So. Every vendor we talked to, said, “Register. Talk to one of the guys in the yellow shirts.” But time was short, and Kickout could not be risked. An incense seller with a little dachshund finally caught my drift. “You could play right there for 10 minutes,” she said, “and then you could move over there, and then you just keep on moving whenever you need.” Ten-four, Incense lady. I set up and began.

Busking is a good challenge, because it forces you to make every second compelling. I mean, people are walking by. They won’t stop unless something sounds really good to them. I like watching people do the calculation: stop and watch this, or keep walking? A lot of little kids locked eyes with me, and I tried to pied-piper them over. Stephanie heard one mother struggling to move her daughter along. “We can have ice cream,” said the mom. “But I wanna see,” protested the kid. This is probably the only time I’ve ever won out over ice cream. I won’t let it go to my head.

We took the incense lady’s advice and moved spots, and the busking got gradually better and better. A man with a big camera started taking photos, and a lady tearfully presented me with a green tree t-shirt. I coaxed some high school kids to stomp-clap to “Adelaide,” and sing along to “Paraguay.” At first, they were shy, and when I called out to them they treated me like a dork, but by the end I think they were having fun sincerely. I met a pink-haired girl named Ray Anne. When she told me her name I felt like a poser.

In a final stroke of luck, the producer of Fairyworlds approached me and invited me to play at his event sometime. I said yes, so—details pending. I look forward to being wildly outshone by many specimens from the fairy kingdom.

Fond fairywell to Eugene, off to Bend.

Links:
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Photo courtesy of Grey Anne

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