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Updated with photos/links. Get Baked: The Sugar Cube is back starting Thursday.

Wednesday, November 4th, 2009

The Sugar Cube 2--fixed

Updated Friday, Nov. 6: Okay, taste-tested and approved. Aside from all the pre-opening hoopla, it’s clear that the Sugar Cube’s still got some major sass, from the lava hot, savory-sweet explosion of its smoked salt-topped Ovaltine to its ridiculously rich “Beer.Cheese.Bacon” (see above)—a super-moist Guinness cake topped with ice cream, praline bacon and salty-good white cheddar. Jensen promised to try and use larger shavings of cheese next time for an extra salty punch. These cart desserts are special, and not just because they’re served on real china. Fun, newish PDX food blog Under the Table with Jen has an obsessive rundown on The Sugar Cube’s first day, here, so I’ll just let you read that for more details. Instead, here’s some pics of the new cart—inside and out—complete with gold cabinets and jeweled drawer pulls, and a unicorn begging for tips. (Sorry about the quality of the photos, WW’s digicam was damaged by a AirSoft rifle during Portland’s recent Zombie Apocalypse combat simulation. I’m serious.).

The Sugar Cube, retry, fixed

The Sugar Cube owner Kir Jensen with her first dollar.

The Sugar Cube 5.fixed

Blatant attempt to curry favor with fantasy genre fans.

The Sugar Cube 6

Inside the cart.

The Sugar Cube 1

The Sugar Cube 3

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Original post:

A-Board Awesomeness 002

As you might have heard, celebrated local baker Kir Jensen’s cute-as-pie downtown dessert cart The Sugar Cube—home of the addictive Highway to Heaven and Amy Winehouse cupcakes—is back from the dead after a seven month absence. But, oh what, you ask, does she have in stores for Portland’s sugar and fat junkies this time around when she opens up shop tomorrow, Thursday, Nov. 5 in her new pink cart (see photo below) at the Mississippi Marketplace food cart pod? Well, it involves beer and True Blood, of course.

Here’s some menu teasers (around $3-$7), straight from the redheaded Chicago gal’s mouth:

“Beer.Cheese.Bacon: Warm Guinness and ginger stout cake, topped with Fifty Licks vanilla bean ice cream, praline bacon crunch, shaved white cheddar, buckwheat honey drizzle. Booyah!

Cupcake of the week: First up? A homage to my favorite character on True Blood…”The Lafayette.” Red velvet cake, topped with vanilla bean cream cheese frosting…and a gold lame thong garnish. [Update 10 am Thursday, Nov. 5: Jensen says that The Lafayette will not be available today. She's still "searching for gold lame thong."]

Spiced, freshly pressed apple cider: infused with vanilla bean and ginger served with cinnamon stix, nutmeg and other goodness. Comes hot with a Tonali’s old fashioned glazed doughnut.”

Oh holy christ. As Jensen would say, that sounds like a “sugargasm.” The baker also promised some Thanksgiving take home specials later this month. We’ll report back after tomorrow’s opening. Follow The Sugar cube on Twitter for more updates.

The Sugar Cube at Mississippi Marketplace, corner of North Mississippi and Skidmore, www.thesugarcubepdx.com. Noon-closing (whenever she runs outta goods) Thursday-Sunday. Photos of Sugar Cube logo and new cart courtesy of Kir Jensen.

The Sugar Cube

Portland Gets Its Very Own Cannabis Cafe

Monday, November 2nd, 2009

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While most Portlanders are all too familiar with cafés of the coffee-serving variety, there’s a new café coming to town worth noting.

It’s Oregon’s first cannabis café (a concept common elsewhere around the globe) and it will be run by Oregon NORML

It’s scheduled to open Friday, Nov. 13, naturally at 4:20pm.

Sadly, only members both of the Oregon Medical Marijuana Program and NORML can partake in the experience (the café is legal under the guidelines of the Oregon Medical Marijuana Act), but maybe they’re accepting applications for servers. Snacks and items from sellers like Stoned Made will be available, along with a full range of pot to sample. The café will be a resource for the medical marijuana community, and Oregon NORML also hopes to provide seminars and classes there.

Friday, Nov. 13, 4:20pm. Rumpspankers, 700 NE Dekum St, Portland. For the Grand Opening, the entry fee will be $25, which covers the first month of membership and an all-day entry pass.

Friday Food Roundup

Friday, October 30th, 2009

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Saraveza

Nine businesses on North Killingsworth Street are throwing a Halloween crawl to benefit Ethos Music Center. Participants can buy tokens at Atomic Pizza, Saraveza or Hop & Vine (10 for $30) that can each be redeemed for the following:

Yorgos - Tater Tots, Well Drink or Draft Beer
Sagittarius – Chips & Salsa, Draft Beer or Well Drink
Atomic Pizza – Pepperoni/Cheese Slice, Salad or Beer
Hop & Vine – Mini Dessert, Small Bacon Wrapped Dates, Draft Beer or House wine
Eddie’s Pizza – Savory Pinwheel, Slice of Pizza or Draft Beer
Saraveza – Half pasty, Bowl of Soup, House wine or Draft Beer
Ducketts - Small Side Dish, Well Drink or Draft Beer
Red Fox – Cupcake or Spooky Vodka Drink served in a Pumpkin!
Chapel Pub – Cheese Burger, Gardenburger or Draft Beer

That’s a ton of food and booze for $3 a pop.

Looking for a fancier way to spend the weekend? There are still four seats left for Sunday night’s dinner with Cathy Whims at the Robert Reynolds Chef Studio. Whims rarely cooks for groups of fewer than 80 since she opened Nostrana, and this Venetian-themed four-course dinner, which includes pairings of Cameron Wines, is a chance to revisit the intimate meals she served at Genoa. Robert Reynolds Chefs Studio, 2818 SE Pine St., 544-1350. 6:30 pm Sunday, Nov. 1. $85.

The biggest day of autumn for lovers of hefty beer is coming: On Tuesday, Nov. 3, Deschutes Brewery releases the 2009 run of The Abyss, the Bend beer-maker’s extraordinary imperial stout. Thick, black and seriously high-proof, this is a special-occasion beer to be reckoned with. Deschutes celebrates with parties at both the Bend and Portland Public Houses. Enthusiasts line up down the block every year, and the Pub’s supply usually runs out within three hours. 210 NW 11th Ave. 2 pm Tuesday, Nov. 3.

Big Win for Bars: Oregon Lottery Boss Wants Status Quo

Monday, October 26th, 2009

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Oregon Lottery Director Dale Penn today made a lengthy argument [PDF] for renewing the current commission structure paid to retailers.

Penn’s conclusion that lottery rates should stay the same over the six-year period after the current contract expires next June is a big win for the Oregon Restaurant Association, if the five-member Lottery Commission agrees with him. The association represents more than 2,000 bars, taverns and restaurants that carry Lottery’s video poker and line games.

The current commission structure pays retailers about 23 percent of the take. In 2008, Lottery sales reached an all-time high of $895 million but have slumped 20 percent this year.

About two-thirds of the net proceeds goes to K-12 education and so schools advocates have long argued for lower retailer commissions.

Those advocates have gotten some of what they wanted—although not all of it. The average commission has fallen from 33.5 percent in 1998 to 23.6 percent last year. Despite that dramatic drop in compensation, the number of retailers has increased every year and in a recent interview, Penn told WW that retailers basically never dropped Lottery machines because of lower commissions.

In his report released today, Penn attributed the 20 percent decline this way: “there is a smoking ban reducing sales, Oregon is burdened with high unemployment, and our country is facing the worst economic environment since the Great Depression.” He offered no evidence that lowering commissions as education activists have asked him to do, would lower the state’s take.

Penn’s strongest argument that retailers are in trouble—the fact that the number of new retailers signing up to carry Lottery machines is only half what it was last year—is not exactly a strong argument that increasing the state’s take would endanger the golden goose.

Still, the ORA managed to convince Penn that lowering commissions now would be “too risky.”

Some Thoughts On Our Restaurant Guide

Wednesday, October 21st, 2009

Willamette Week’s 2009 Restaurant Guide is out today, inside every issue of this week’s paper. We had a blast, as always, putting the guide together, and noticed a few things along the way that didn’t make it into the guide.

First, turnover. The following restaurants that were in last year’s guide have either closed or undergone such drastic changes that they might as well have: 23Hoyt, Alberta Street Oyster Bar, Alu (since reopened under new ownership), Banh Cuon Tan Din, Cava, Encanto, Fife, Genoa (reopening in November), Nutshell, Roux. Between the 2007 and 2008 guides there were only four closures. Openings appear to be holding steady, with 17 restaurants in this year’s guide that opened in the last year versus 14 in 2008.

Some trends: Padrón peppers, already ascendant last year, are everywhere. I ate them at six of the 16 restaurants I reviewed. Poached eggs have also become ubiquitous, on salads, pasta, sandwiches and anywhere else cooks can stick them. Particularly frequent is arugula, lardon and poached egg salads. The best one I had was at Laurelhurst Market. Lots of panzanella. Plenty of venison and boar, too. Charcuterie plates are now ubiquitous. Everyone has a happy hour.

The most-mentioned ingredients in our reviews this year are, in order: pork, wine, chicken, cheese, tomatoes, lamb, bacon, potatoes, bread, beans, corn, sausage, salmon, beef, onion, pasta, egg, peppers, crab, garlic, fish, fries, chile, lamb, oil, butter, duck, arugula (all occurred more than 10 times in the guide). Want a visual illustration? Here’s a word cloud.
Wordle: Willamette Week's 2009 Restaurant Guide

Finally, there are a great number of restaurants slated to open by the end of 2009: Grüner, Chris Israel’s “Alpine-themed” restaurant; American Flatbread, a Portland branch of an artisan pizza chain based in Vermont; Anju, a Japanese pub that opened a few weeks ago in the space that used to be Nutshell; Genoa, coming Nov. 22, with the addition of a lower-priced cafe; Lovely Fifty-Fifty, a pizza and ice cream parlor from the owners of Lovely Hula Hands; Olympic Provisions, the charcuterie-making facility and restaurant from Clyde Common’s Nate Tilden; a dive bar from Bunks Sandwiches’ Tommy Habetz and Nick Wood; Slappy Cakes, a grill-your-own pancake joint on Belmont; Soluna Grill, a new venture in the Fife building; Suzette, a new crêpe joint taking the place of two failed crêpe joints; Spints Alehouse, a gastropub in the space that was the doomed Cafe 401; A Pok Pok bar, across the street from the restaurant; Big-Ass Sandwiches (yes, really) downtown; and a new venture from the Caprials in inner Southeast.

Sharp Knife: Q&A with America’s Test Kitchen’s Chris Kimball

Wednesday, October 21st, 2009

Chris Kimball

Home cooks adore him. Bloggers can’t stand him. Foodies call him simultaneously brilliant and boring. On his relentless path toward culinary perfection, he has certainly stepped on a lot of toes (especially when critiquing the ever-growing food blogosphere, which he recently blamed for the demise of Gourmet magazine). Yet Chris Kimball, the studious, and perhaps obsessive, creator of America’s Test Kitchen on TV as well as the magazines Cook’s Illustrated and Cook’s Country, really just wants to keep America cooking, and cooking well (Internet or no Internet). WW sat down with the self-proclaimed expert over Blueplate pot roast last week, while the author was in town promoting his new cookbook, to talk test kitchens, food journalism and the Grateful Dead.

WW: So tell me about your new books.
Chris Kimball: More Best Recipes is all the recipes from the last five years that weren’t in New Best Recipes. It’s a companion piece. It’s sort of like Mastering the Art of French Cooking Volumes 1 and 2. We did a contest for Lost Recipes. We were surprised. We got 2,800 recipes submitted and I would say about 20 percent were really, really interesting, which is a really high percentage for a recipe contest. Usually you get people making chocolate chip cookies with like, M&Ms in them or something. These, these were really quite good.

Would you actually cook from that cookbook at home?
Yeah, we actually cook a lot from Cook’s Country…. I like those recipes. We don’t really do a lot of fancy cooking.

What other kinds of things do you cook at home?
Well, it’s pretty boring. We eat out of our freezer. We raise our own beef and pork, chickens for eggs. What we eat is mostly whatever we have in our freezer. New England boiled dinner is a dinner I love. And yeah, sometimes we’ll cook out of Cook’s Country or once in a while just make something up. I would say that we mostly eat what we produce—it’s clean, it’s organic, the pork is much better than the crap in the supermarkets. So, I’m not an adventurous cook. That’s why I go out to restaurants. I don’t want to do Thai food at home. (more…)

Voodoo Doughnut gets Denied by Bitch

Thursday, October 15th, 2009

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[Ed note: We ran a shorter version of this story in the Scoop column of yesterday's print newspaper, but we didn't include a photo of the ad in question. So, here it is, in all its hairy glory.]

Voodoo Doughnut owner Tres Shannon doesn’t understand why Bitch magazine declined from running his store’s new clothing ad in their publication. According to him, the only thing that might be controversial about the ad is the fact that the woman, whose underpants-clad privates are being depicted in the ad, is unshaven. “It’s just pubic hair,” says Shannon. “I thought Bitch would be happy the woman isn’t plucked and shaved, but all natural like a real woman.”

According to Shannon, Bitch magazine came to him months before to host one of their parties in his doughnut shop. Shannon complied, then decided he wanted to continue their partnership by running a Voodoo Doughnut ad in their magazine. “I mean, they came to me first and asked me for my help, and you’d think they’d want to return the favor.”

“I recognize the ad is edgy,” says Shannon. “But I thought Bitch was all about edginess.”

Bitch spokeswoman Jaymee Jacoby says the mag is not ad-driven and reserves the right to reject any images that might “offend the readers that support us.” And although Jacoby wouldn’t comment about whether or not it was the pubic hair that made their executive team feel it was too offensive, she did say that they felt the ad objectified a woman’s body in order to sell their clothing.

“We went back and forth on this issue, and it comes down to how our readers would interpret the ad as a whole,” says Jacoby. “We felt that our readers would feel that the ad goes against our mission statement to be anti-sexist.”

Shannon disagrees, but adds that he does not have a personal vendetta against the publication. “They’ve been nice about it, but the whole thing is just confusing,” he says. “They okayed an ad by Voodoo Doughnuts, but were surprised by what they got.”

Live Review: Stumptown Coffee Producers Panel

Friday, October 9th, 2009

coffee beans
Stumptown Producers Panel, Leftbank Cafe, Thursday, Oct. 8

We gathered in the airy, chi-chi industrial environs of Leftbank Café—before Stumptown’s first-ever Producers Panel—for a coffee tasting. Hundreds of us did, and it occurred to me that even 10 years ago this would have been unthinkable, or at least absurd: fodder for a Seinfeld episode.

“Coffee and what?”
“Just coffee.”
“Just coffee?”
“It was a coffee tasting. We. Tasted. Coffee.”
“Coffee. Huh.”

Except, of course, in the intervening years, long past Starbucks’ original overcooked push into the bourgeois consciousness, coffee has become something akin to wine or beer, with its own tasting vocabulary, its own politics, its own host of wonky geeks with thoughts on everything from climate to drying process to proper roasting temp, and its own vehemently opinionated (if not always informed) populace of drinkers. Thus, it makes sense that a literally standing-room-only crowd, bursting into the wings of a cavernous space, is here to hear a panel consisting of exporters and growers of coffee from Kenya, Columbia, and Costa Rica. It was their coffee we’d been tasting, before the panel.

The contingents from each of the three countries described a somewhat similar narrative of their recent years, though the timelines and the nomenclature varied among the countries. Used to be, the coffee growers had no control over the price of their product, were not rewarded for quality (indeed, they had no idea how to assess it), and had the majority of their potential income stripped away by agents and middle-men and price-fixers. However, through newer, long-term, direct-trade relationships immediately linking gourmet coffee roasters and growers (called “2nd window” in Kenya, Las Mingas in Colombia), growers are not only learning how better to make their product—thus serving Stumptown’s need for consistency—but are also able to charge higher prices based on this quality, and so also gain access to healthcare, send their kids to university, etc. Which is pretty good.

Although, if this sounds utopian, it isn’t; only a small portion of growers are hooked up with gourmet coffee roasters with policies as nice as Stumptown’s. The rest are still stuck with subsistence-level farming subject to the whims of auctioneers and the NY commodities market. In this particular crowd, though, what we saw were some growers whose livelihoods had changed remarkably in the past decade or so, and so it was a largely feel-good affair, punctuated by deafeningly loud bursts of applause from the largely left-leaning people who show up to things like coffee symposium. In particular, when Costa Rican coffee farmer Juan Ramon Alvarado described the environmental benefits of his own process of machine-washing, which included near-full reuse of coffee byproducts for fields and livestock, one audience member was so excited she clapped after almost every sentence he spoke. Rightly so, really—it was kind of impressive.

I suppose as Stumptown’s popularity has reached hysterical levels nationwide, one gets tired of hearing nice things about their business practices—at some points, the goodwill and fellow-feeling almost cloyed, it’s true—but until anybody hears anything different, we in the press are stuck being largely congratulatory. Sorry, people.

A couple of the more fun moments in the panel came from the competing pride of the different growers in the panel. When Ngatia Kattyoge, a farmer from the slopes of Mt. Kenya, described his coffee as the “best in the world”—a statement this particular Kenyan-coffee-loving reporter is fairly sympathetic to—Francisco Mena, an exporter from Costa Rica, couldn’t contain his shit-eating grin. Likewise, when Alvarado enthusiastically extolled the ecological benefits of machine washing, Alejandro Cadena of Colombia was quick to jump in to explain how economies of scale make this process impossible to implement for most of Columbia’s small growers.

At one point during the audience Q&A, it was also interesting to hear the different countries’ takes on the burdens or benefits of organic certification—which is often unthinkingly, and fallaciously, taken by greenie coffee drinkers as a certification of quality. The Kenyans flat-out said it was impossible where they are, because no known organic pesticide can stop coffee berry disease, which causes a crop loss of precisely 100%, while for the Colombian producers the problem was the exorbitant cost levied for organic certification, which they have been working to pass on to the consumers rather than having it penalize the growers.

In any case, the one thing I kept wondering during Stumptown’s symposium was: at what point will we truly have a wine parallel? That is, as the growers become more connected to the market and more associated with the coffee’s quality in the mininds of the consumer, at what point does the grower’s reputation start to rival that of the coffee roastery? Or, heck, when are we going to see Kenyan-or Colombian-owned roasteries (with complete and exclusive control of their own coffee berries) cropping up in downtown Portland or Los Angeles or New York? It’s a long way coming, if it ever does, but no matter how good Stumptown is in both practice and execution, it’s hard not to root for it—even though it would be Stumptown’s own nice-kid actions that helped set it in motion.

Photo courtesy of Stumptown Coffee. We’ll update this post with photos from the event once they are available.

Bob’s Red Mill Set to Compete in International Porridge Competition

Friday, September 25th, 2009

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Golden Spurtle? Porridge contest? Sounds like something out of Harry Potter to me, but to the great people of Scotland, the challenge is real. Each October, oatmeal experts from all over the world head to Carrbridge, Scotland to compete for in the Golden Spurtle World Porridge Making Championship. And this year, Portland’s own Bob’s Red Mill is sending a competitor.

But wait, back up.

What’s a spurtle? Sounds like a cross between a sparkler and a gurgling baby.

In fact, spurtles are rod-like stirring sticks (see golden replica in photo below) created in the 15th century, used to prevent lumps from forming in bubbling oatmeal. The proper use of the spurtle—porridge must be stirred clockwise with the right hand—is also said to ward off evil spirits (like Voldemort?). (more…)

TBA Diary: Planted!

Tuesday, September 8th, 2009

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I must admit, I was disappointed about the “tablecloth.” What was advertised in the TBA guide as a “giant, checkered picnic blanket” and what I had imagined as a rolling sea of gingham turned out to be large red and white tarps, spread apart in a vast rectangle. Maybe if I had seen it from an airplane it would have looked better. I mean, do you see a blanket here (see photo above)?

And was I just tardy, or was there a significant lack of local vendors on the scene? I saw no street carts, and only the lone sausage stand.
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I did, however, get to roll out my own pita bread, watch it cook in a portable wood-burning oven and smother it in delicious (and, of course, local) greens, tomatoes, and cheese. The good people of Picklopolis handed out free samples, Slow Food was kind enough to share an enormous batch of brownies with visitors.
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Oh, and there was the group of kids (and their parents) playing with one of those super-gigantic rainbow tarps out in the middle of the lawn. The billowing tarp was actually pretty beautiful isolated out in the middle of the lawn. Watching it move up and down put me in such a meditative state that I wasn’t bothered by the presence of canvassers asking for petition signatures (“No thanks, I signed that two months ago…”). It didn’t seem to bother anyone else, either. We were all too busy eating.



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